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Heywood "Woody" Allen born Allan Stewart Konigsberg ; December 1, [1] is an American director, writer, actor, and comedian whose career spans more than six decades. He began his career as a comedy writer in the s, writing jokes and scripts for television and publishing several books of short humor pieces. In the early s, Allen began performing as a stand-up comedian, emphasizing monologues rather than traditional jokes.

As a comedian, he developed the persona of an insecure, intellectual, fretful nebbish , which he maintains is quite different from his real-life personality. By the mids, Allen was writing and directing films, first specializing in slapstick comedies before moving into dramatic material influenced by European art cinema during the s, and alternating between comedies and dramas to the present.

He is often identified as part of the New Hollywood wave of filmmakers of the mids to late s. Allen has received many accolades and honors throughout his career. He has won four Academy Awards: He also garnered nine British Academy Film Awards. His screenplay for Annie Hall was named the funniest screenplay by the Writers Guild of America in its list of the " Funniest Screenplays". In Dylan Farrow accused Allen of molesting her, an accusation he has repeatedly denied.

He and his sister, Letty b. His childhood was not particularly happy; his parents did not get along, and he had a rocky relationship with his stern, temperamental mother. Unlike his comic persona, he was more interested in baseball than school and his strong arms ensured he was first to be picked for a team. For pay, he wrote jokes or "gags" for agent David O. Alber, who sold them to newspaper columnists. At the age of 17, he legally changed his name to Heywood Allen [29] and later began to call himself Woody Allen.

According to Allen, his first published joke read: He studied film at City College of New York in but left before the end of the first semester. Allen began writing short jokes when he was 15, [32] and the following year began sending them to various Broadway writers to see if they'd be interested in buying any. He also began going by the name "Woody Allen". His stuff was dazzling. He also worked with Danny Simon , whom Allen credits for helping form his writing style. When given an assignment for a show he would leave and come back the next day with "reams of paper", according to producer Max Liebman.

His daily writing routine could go as long as 15 hours, and he could focus and write anywhere necessary. Dick Cavett was amazed at Allen's capacity to write: When he began performing as a stand-up, he was much more selective, typically using only one out of ten jokes. He estimated that to prepare for a minute show, he spent six months of intensive writing. And I can't wait to fill it! I love to do it. Allen started writing short stories and cartoon captions for magazines such as The New Yorker ; he was inspired by the tradition of New Yorker humorists S.

Perelman , George S. Kaufman , Robert Benchley , and Max Shulman , whose material he modernized. His early comic fiction was influenced by the zany, pun-ridden humor of S. In , Allen released audio versions of his books in which he read 73 selections. From to , Allen performed as a stand-up comedian to supplement his comedy writing.

Comedy historian Gerald Nachman notes that Allen, while not the first to do stand-up, would eventually have greater impact than all the others in the s, and would redefine the meaning of stand-up comedy: After Allen was taken under the wing of his new manager, Jack Rollins , who had recently discovered Nichols and May, Rollins suggested he perform his written jokes as a stand-up. Allen was resistant at first, but after seeing Mort Sahl on stage, he felt safer to give it a try: Then Mort Sahl came along with a whole new style of humor, opening up vistas for people like me.

His early stand-up shows with his different style of humor were not always well received or understood by his audiences. Unlike other comedians, Allen spoke to his audiences in a gentle and conversational style, often appearing to be searching for words, although he was well rehearsed. He acted "normal", dressed casually, and made no attempt to project a stage "personality". And he did not improvise: They put a live teddy bear in my crib. The subjects of his jokes were rarely topical, political or socially relevant.

Unlike Bruce and Sahl, he did not discuss current events such as civil rights, women's rights, the Cold War, or Vietnam. And although he was described as a "classic nebbish", he did not tell Jewish jokes. Television talk show host Dick Cavett , who was among the minority who quickly appreciated Allen's unique style, recalls seeing the audience at the Blue Angel mostly ignore Allen's monologue: This uneasy onstage naturalness became a trademark.

Allen developed an anxious, nervous, and intellectual persona for his stand-up act, a successful move that secured regular gigs for him in nightclubs and on television. He brought innovation to the comedy monologue genre and his stand-up comedy is considered influential. He subsequently released three LP albums of live nightclub recordings: In he hosted an episode of The Kraft Music Hall where he would intersperse humor with interviews of famous people, including conservative writer William F.

Billy Graham. For its March 21, , issue, Life put Allen on its cover. In , Allen wrote the play Don't Drink the Water. Because he was not particularly happy with the film version of his play, in , Allen directed and starred in a second version for television, with Michael J. Fox and Mayim Bialik. The play opened on February 12, , and ran for performances. It featured Diane Keaton and Roberts. He is the most disciplined person I know. He works very hard," Keaton has said.

He has written several one-act plays, including Riverside Drive and Old Saybrook , exploring well-known Allen themes. On October 20, , Allen's one-act play Honeymoon Motel opened on Broadway as part of a larger piece titled Relatively Speaking , with two other one-act plays, one by Ethan Coen and one by Elaine May. James Theatre. The show received six Tony nominations in total.

His first movie was the Charles K. Feldman production What's New, Pussycat? He was disappointed with the final product, which inspired him to direct every film he wrote thereafter. Kagi no kagi , "International Secret Police: Key of Keys"—was redubbed in English by Allen and friends with fresh new, comic dialogue. Allen directed, starred in, and co-wrote with Mickey Rose Take the Money and Run in , which received positive reviews.

He later signed a deal with United Artists to produce several films. The Front was a humorous and poignant account of Hollywood blacklisting during the s; Ritt, screenwriter Walter Bernstein , and three of Allen's cast-mates, Samuel "Zero" Mostel , Herschel Bernardi , and Lloyd Gough , had themselves been blacklisted. Then came two of Allen's most popular films: Annie Hall and Manhattan. Annie Hall set the standard for modern romantic comedy and ignited a fashion trend with the clothes Keaton wore in the film.

In an interview with journalist Katie Couric , Keaton did not deny that Allen wrote the part for her and about her. Manhattan is a black-and-white film often viewed as an homage to New York City. As in many Allen films, the main protagonists are upper-middle class writers and academics. The love—hate opinion of cerebral persons found in Manhattan is characteristic of many of Allen's movies, including Crimes and Misdemeanors and Annie Hall. Manhattan focuses on the complicated relationship between middle-aged Isaac Davis Allen and year-old Tracy Mariel Hemingway , and co-stars Diane Keaton.

Keaton, who made eight movies with Allen during her career, tries to explain why his films are unique: He's bold. He's got a lot of strength, a lot of courage in terms of his work. And that is what it takes to do something really unique. Along with a genius imagination. Allen's s films, even the comedies, have somber and philosophical undertones, and are influenced by European directors, specifically Ingmar Bergman and Federico Fellini.

In Hannah and Her Sisters , part of the film's structure and background is borrowed from Fanny and Alexander. Amarcord inspired Radio Days. September resembles Autumn Sonata. Allen uses many elements from Wild Strawberries. Stardust Memories features Sandy Bates, a successful filmmaker played by Allen, who expresses resentment and scorn for his fans.

Overcome by the recent death of a friend from illness, Bates says, "I don't want to make funny movies anymore" and a running gag has various people including visiting space aliens telling him that they appreciate his films, "especially the early, funny ones. Allen has combined tragic and comic elements in such films as Hannah and Her Sisters and Crimes and Misdemeanors , in which he tells two stories that connect at the end.

He also made three films about show business: Broadway Danny Rose , in which he plays a New York show business agent, The Purple Rose of Cairo , a movie that shows the importance of the cinema during the Depression through the character of the naive Cecilia, and Radio Days , a film about his childhood in Brooklyn and the importance of the radio.

The film co-starred Farrow in a part Allen wrote specifically for her.

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Heywood "Woody" Allen born Allan Stewart Konigsberg ; December 1, [1] is an American director, writer, actor, and comedian whose career spans more than six decades. He began his career as a comedy writer in the s, writing jokes and scripts for television and publishing several books of short humor pieces.

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