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Working in the bebop and hard bop idioms early in his career, Coltrane helped pioneer the use of modes and was at the forefront of free jazz. He led at least fifty recording sessions and appeared on many albums by other musicians, including trumpeter Miles Davis and pianist Thelonious Monk. Over the course of his career, Coltrane's music took on an increasingly spiritual dimension. He remains one of the most influential saxophonists in music history.

He received many posthumous awards, including canonization by the African Orthodox Church and a Pulitzer Prize in Coltrane [3] and his mother was Alice Blair. Beginning in December , his father, aunt, and grandparents died within a few months of each other, leaving him to be raised by his mother and a close cousin.

In September, his mother bought him his first saxophone, an alto. From early to mid he had his first professional work: To avoid being drafted by the Army, Coltrane enlisted in the Navy on August 6, , the day the first U. Coltrane's musical talent was recognized, and he became one of the few Navy men to serve as a musician without having been granted musician's rating when he joined the Melody Masters, the base swing band. By the end of his service, he had assumed a leadership role in the band.

His first recordings, an informal session in Hawaii with Navy musicians, occurred on July 13, After being discharged from the Navy as a seaman first class in August , Coltrane returned to Philadelphia, where he "plunged into the heady excitement of the new music and the blossoming bebop scene. Although he started on alto saxophone, he began playing tenor saxophone in with Eddie Vinson.

Coltrane called this a time when "a wider area of listening opened up for me. There were many things that people like Hawk [Coleman Hawkins] , and Ben [Webster] and Tab Smith were doing in the '40s that I didn't understand, but that I felt emotionally. Hasaan was the great influence on Trane's melodic concept. An important moment in the progression of Coltrane's musical development occurred on June 5, , when he saw Charlie Parker perform for the first time. In a DownBeat magazine article in he recalled, "the first time I heard Bird play, it hit me right between the eyes.

In the summer of , Coltrane was freelancing in Philadelphia while studying with guitarist Dennis Sandole when he received a call from Davis. The trumpeter, whose success during the late forties had been followed by several years of decline in activity and reputation, due in part to his struggles with heroin , was again active and about to form a quintet. During this period Davis released several influential recordings that revealed the first signs of Coltrane's growing ability. This quintet, represented by two marathon recording sessions for Prestige in , resulted in the albums Cookin' , Relaxin' , Workin' , and Steamin'.

The "First Great Quintet" disbanded due in part to Coltrane's heroin addiction. Coltrane recorded many albums for Prestige under his own name at this time, but Monk refused to record for his old label. A high quality tape of a concert given by this quartet in November was also found later, and was released by Blue Note in Recorded by Voice of America , the performances confirm the group's reputation, and the resulting album, Thelonious Monk Quartet with John Coltrane at Carnegie Hall , is widely acclaimed.

Blue Train , Coltrane's sole date as leader for Blue Note, featuring trumpeter Lee Morgan , bassist Paul Chambers , and trombonist Curtis Fuller , is often considered his best album from this period. Four of its five tracks are original Coltrane compositions, and the title track, "Moment's Notice", and " Lazy Bird ", have become standards. Both tunes employed the first examples of his chord substitution cycles known as Coltrane changes.

Coltrane rejoined Davis in January In October of that year, jazz critic Ira Gitler coined the term " sheets of sound " [20] to describe the style Coltrane developed with Monk and was perfecting in Davis's group, now a sextet. His playing was compressed, with rapid runs cascading in hundreds of notes per minute. At the end of this period Coltrane recorded Giant Steps , his first album as leader for Atlantic which contained only his compositions. The album's title track is generally considered to have one of the most difficult chord progressions of any widely played jazz composition.

Giant Steps uses Coltrane changes. His development of these altered chord progression cycles led to further experimentation with improvised melody and harmony that he continued throughout his career. Coltrane formed his first quartet for live performances in for an appearance at the Jazz Gallery in New York City. Tyner, a native of Philadelphia, had been a friend of Coltrane for some years, and the two men had an understanding that Tyner would join the band when he felt ready.

My Favorite Things was the first album recorded by this band. It was Coltrane's first album on soprano saxophone , which he began playing with Miles Davis. It was considered an unconventional move because the instrument was not as popular in jazz as other types of saxophone. In May , Coltrane's contract with Atlantic was bought by Impulse!

He recorded most of his albums for Impulse! By early , bassist Davis had been replaced by Reggie Workman , while Eric Dolphy joined the group as a second horn. The quintet had a celebrated and extensively recorded residency at the Village Vanguard , which demonstrated Coltrane's new direction. It included the most experimental music he had played, influenced by Indian ragas , modal jazz , and free jazz.

John Gilmore , a longtime saxophonist with musician Sun Ra , was particularly influential; after hearing a Gilmore performance, Coltrane is reported to have said, "He's got it! Gilmore's got the concept! During this period, critics were divided in their estimation of Coltrane, who had radically altered his style. Audiences, too, were perplexed; in France he was booed during his final tour with Davis. In , Down Beat magazine called Coltrane and Dolphy players of "anti-jazz" in an article that bewildered and upset the musicians.

Furthermore, Dolphy's angular, voice-like playing earned him a reputation as a figurehead of the "New Thing", also known as free jazz, a movement led by Ornette Coleman which was denigrated by some jazz musicians including Davis and critics. But as Coltrane's style developed, he was determined to make every performance "a whole expression of one's being". In , Dolphy departed and Jimmy Garrison replaced Workman as bassist.

From then on, the "Classic Quartet", as it came to be known, with Tyner, Garrison, and Jones, produced searching, spiritually driven work. Coltrane was moving toward a more harmonically static style that allowed him to expand his improvisations rhythmically, melodically, and motivically. Harmonically complex music was still present, but on stage Coltrane heavily favored continually reworking his "standards": The criticism of the quintet with Dolphy may have affected Coltrane.

In contrast to the radicalism of his recordings at the Village Vanguard, his studio albums in the following two years with the exception of Coltrane , , which featured a blistering version of Harold Arlen 's "Out of This World" were much more conservative. He recorded an album of ballads and participated in collaborations with Duke Ellington on the album Duke Ellington and John Coltrane , and with deep-voiced ballad singer Johnny Hartman on an eponymous co-credited album.

The album Ballads recorded —62 is emblematic of Coltrane's versatility, as the quartet shed new light on old-fashioned standards such as "It's Easy to Remember". Despite a more polished approach in the studio, in concert the quartet continued to balance "standards" and its own more exploratory and challenging music, as can be heard on the Impressions recorded —63 , Live at Birdland and Newport '63 both recorded Impressions consists of two extended jams including the title track along with "Dear Old Stockholm", "After the Rain" and a blues.

Coltrane later said he enjoyed having a "balanced catalogue. A culmination of much of Coltrane's work up to this point, this four-part suite is an ode to his faith in and love for God. These spiritual concerns characterized much of Coltrane's composing and playing from this point onwards—as can be seen from album titles such as Ascension , Om and Meditations. The fourth movement of A Love Supreme , "Psalm", is, in fact, a musical setting for an original poem to God written by Coltrane, and printed in the album's liner notes.

Coltrane plays almost exactly one note for each syllable of the poem, and bases his phrasing on the words. On March 6, , the group entered Van Gelder Studio in New Jersey and recorded a session that was lost for decades after its master tape was destroyed by Impulse Records to cut down on storage space. On June 29, , Impulse! The Lost Album , made up of seven tracks made from a spare copy Coltrane gave to his wife.

He was especially influenced by the dissonance of Ayler's trio with bassist Gary Peacock , who had worked with Paul Bley , and drummer Sunny Murray , whose playing was honed with Cecil Taylor as leader. Coltrane championed many young free jazz musicians such as Archie Shepp , and under his influence Impulse! A series of recordings with the Classic Quartet in the first half of show Coltrane's playing becoming abstract, with greater incorporation of devices like multiphonics , use of overtones, and playing in the altissimo register, as well as a mutated return of Coltrane's sheets of sound.

In the studio, he all but abandoned soprano saxophone to concentrate on tenor. The quartet responded by playing with increasing freedom. In June , he went into Van Gelder's studio with ten other musicians including Shepp, Pharoah Sanders , Freddie Hubbard , Marion Brown , and John Tchicai to record Ascension , a minute piece that included solos by young avant-garde musicians.

The album was controversial primarily for the collective improvisation sections that separated the solos. After recording with the quartet over the next few months, Coltrane invited Sanders to join the band in September While Coltrane frequently used over-blowing as an emotional exclamation-point, Sanders would overblow entire solos, resulting in a constant screaming and screeching in the altissimo range of the instrument.

By late , Coltrane was regularly augmenting his group with Sanders and other free jazz musicians. Rashied Ali joined the group as a second drummer. This was the end of the quartet. Claiming he was unable to hear himself over the two drummers, Tyner left the band shortly after the recording of Meditations. Jones left in early , dissatisfied by sharing drumming duties with Ali.

After Coltrane's death, Tyner and Jones in interviews expressed displeasure with the music's direction, while incorporating some of the free-jazz form's intensity in their solo work. There is speculation that in Coltrane began using LSD , [29] [30] informing the "cosmic" transcendence of his late period. After the departure of Tyner and Jones, Coltrane led a quintet with Sanders on tenor saxophone, his second wife Alice Coltrane on piano, Garrison on bass, and Ali on drums.

Coltrane and Sanders were described by Nat Hentoff as " speaking in tongues ". When touring, the group was known for playing long versions of their repertoire, many stretching beyond 30 minutes to an hour. In concert, solos by band members often extended beyond fifteen minutes. The group can be heard on several concert recordings from , including Live at the Village Vanguard Again! In , Coltrane entered the studio several times. Although pieces with Sanders have surfaced the unusual "To Be" has both men on flute , most of the recordings were either with the quartet minus Sanders Expression and Stellar Regions or as a duo with Ali.

The latter duo produced six performances that appear on the album Interstellar Space. Coltrane died of liver cancer at the age of 40 on July 17, at Huntington Hospital in Long Island. His funeral was held four days later at St.

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Working in the bebop and hard bop idioms early in his career, Coltrane helped pioneer the use of modes and was at the forefront of free jazz. He led at least fifty recording sessions and appeared on many albums by other musicians, including trumpeter Miles Davis and pianist Thelonious Monk.

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